[TRANS] 131005 Lee Soo Man And JYJ’s Meeting At The National Assembly Falls Through, “To Be Discussed In The Future”

jyjleesooman

The meeting between SM Entertainment’s Lee Soo Man and JYJ (Kim Jaejoong, Park Yoochun, Kim Junsu) has fallen through.

The National Assembly held a conference on the 4th and discussed the 277 potential witness from organizations, 63 regular witness and 46 testifiers.

The most heated discussion of the day was Lee Soo Man and JYJ’s potential confrontation. The Democratic Party requested the appearance of JYJ and Lee Soo Man, a representative of their former agency, at the National Assembly to discuss the controversies surrounding contracts in the entertainment industry. The decision to request Lee Soo Man and JYJ’s attendance was not finalized in the day’s discussions, but was set to be discussed further in the future.

Meanwhile, SM and the Korean Federation of Pop Culture and Arts Industries (KFPCAI) was found guilty by the Fair Trade Commission of hindering JYJ’s activities in the music industry.

Source: [star mk]

Translated & Shared by: dongbangdata.net

JYJ Fantalk Source: dongbangdata.net

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111217 How TVXQ Was Formed Parts 1&2

I believe that the story of the beginning of DBSK/TVXQ/TVXQ5 needs to be reviewed periodically so that there is clarity for those new to DBSK/TVXQ and JYJ.

By 05yunho

credit: jaeley0331

[TRANS] 111028 Lee Yong Praises TVXQ’s YoungWoong Jaejoong On His Perfect Rendition Of ‘Forgotten Season’

[TRANS] 111028 Lee Yong Praises TVXQ’s YoungWoong Jaejoong On His Perfect Rendition Of ‘Forgotten Season’

Singer Lee Yong revealed that he was surprised when he heard that TVXQ’s YoungWoong Jaejoong sang the song ‘Forgotten Season’.

Lee Yong appeared on cable tv YTN’s ‘News & News’ on the 28th at 2:20pm and expressed his gratitude to his juniors who have sung ‘Forgotten Season’.

When Anchorman Lee Gwang Yeon asked, “Many of your juniors have sung your hit song ‘Forgotten Season’, what are your feelings on that?” Lee Yong replied, “I feel really great when I my juniors like and sing my song.”

He added, “I was so surprised when I watched TVXQ’s YoungWoong Jaejoong perform a perfect rendition of the song,” and explained, “I asked YoungWoong Jaejoong how he ended up choosing the song, and he said, ‘I practiced this song a lot because President Lee Soo Man likes it’.

Source: [TV Report]

Translated & Shared by: dongbangdata.net

Momma’s Source: dongbangdata.net

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Translation 111103 JYJ Hitachinaka Concert was Introduced in A Japanese CS TV Program

[Trans] 111103 JYJ Hitachinaka Concert was Introduced in a Japanese CS TV Program Eng subbed

Credits:1596jiji

credit: 1596jiji

T/N: This program (Kan-tame! POP) was broadcasted in Fuji TV CS network (Skyperfect TV & Cable TV) on Nov 1.

“In Heaven”, the new album of JYJ, which was released in Korea in Sept, is causing repercussions.

Jaejoong, Yoochun, and Junsu, who left Tohoshinki because of their problems with the management company, made a new unit JYJ. Though they turned their back to the company and made a new start, the lawsuit with their previous company is still going on, so they were not able to hold live concerts.

In the new album, the members themselves composed and wrote the lyrics for most of the songs, they were participating positively to the production of the album. However, one of the songs in the album “Pierrot” was judged ineligible to broadcast by KBS, and had restrictions in their promotions.

(T/N: the lyrics of Pierrot)

The “p.s.m” phrase in the lyrics is said to be the initials of the President of their previous company, and it was interpreted that the lyrics was slandering an individual person. Thus, KBS judged the song ineligible to broadcast.

They were restricted from appearing in music programs not only in Korea but in Japan, too, and it was doubtful that events would be held. Their difficult situations were continuing for months. Under such difficult circumstances, JYJ’s event in Japan was held for two days without any special publicities. In the venue in Ibaraki, many fans gathered from all over Japan. According to the official announcement, the number was 80 thousand in 2 days!

Fan 1: (T/N: introducing her own name)
Fan 2: (T/N: introducing her own name) I hope that someone can make an environment so that they could promote freely in Japan.
Fan 3: I can feel that they are doing their best even under the current severe conditions, so I would like to support them as long as I can.
Fan 4: I feel that the connection between JYJ and the fans are very strong.
Fan 5: I hope that we can move forward with their love, and also with our love.

For the Japanese fans, the live concert and the new album were received with a flood of emotions. That may speak for the fact that the pre-order for “In Heaven” exceeded over 300 thousand. The album increased its sales, so that the shops had to make a special counter on the day of the release.

Yamamoto: We received a message from a JYJ fan. May I introduce it here?
Furuya: Yes, please.
Y: Sesami-san, 50 years old, a lady. Thank you very much. “I am always enjoying the broadcast. At last, JYJ released their Korean album! Though they haven’t done any promotions, the pre-order exceeded 300 thousand. That means, they are not only popular, but also have the real ability.”
F: It was the hot topics before release that the pre-order exceeded 300 thousand. If the 300 thousand sales is the actual number, the album will be the highest selling album in Korea this year. Of course there are gaps between the shipment and the actual sales number, so we do not know what the final results will be, but it means that the album is in high demand.
Y: Sesami-san also says that she would like to support JYJ’s activities in Japan, but their music videos are not broadcasted, and maybe the fans should feel impatient… I thought so, looking at her message.
F: Basically, their problem is not solved. In this stage, the promotions in both countries may be difficult in many cases.

Source: 1596jiji
Translation: smiley @ OneTVXQ.com
Special thanks: chara1019
Credits: OneTVXQ.com { One World. One Red Ocean. One TVXQ! }
Feel free to repost, but please leave the full credits intact. Thanks!

Momma’s Source: sharingyoochun.net

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Editors Note: I’m Sitting On Top Of The World

There is an age-old song entitled, “I’m Sitting on Top of the World”  that is appropriate to the Lee Soo Man interview.
Here is a version sung by Frank Sinatra with Lyrics

“I’m Sitting On Top Of The World”

Credited Songwriters: Henderson, Ray/Lewis, Sam M./ Young, Joe

I’m Sitting On Top of The World
Just rolling along, just rolling along

And I’m quitting the blues of the world
Just singing a song, just singing a song

Glory, Hallelujah, I just phoned the parson
“Hey, Par, Get Ready To Call”
Just like Humpty Dumpty
I’m going to fall

And I’m sitting on top of the world
Just rolling along, oh, rolling along

credit: ian20022004

When you’re sitting on top the only eventual way out is down.

Momma’s Source: youtube

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NEWS 111017 Lee Soo Man On His System of Management…

[News] 111017 Lee Soo Man on his system of management, upcoming groups M1 & M2, and his dreams

SM Entertainment‘s mastermind, Lee Soo Man (60), recently sat down with Chosun for an interview, where he revealed his thoughts on a variety of topics, including his management system, his new groups ‘M1‘ and ‘M2‘, and his possible venture into the American market. Check out his interview below!

> The biggest contributing factor to Kpop’s widespread success is the long term contracts:

Lee Soo Man became the first person in the Korean entertainment industry to implement a systematic and scientific management system. He picked trainees to foster into idol stars, who all signed 13-year contracts. By doing this, he essentially became the principal of a school of talented students.

However, these long term contracts have been controversial and often referred to as ‘slave contracts’ (after negotiations with the Fair Trade Commission, the length of the contract term has been reduced to 7 years if artists are only promoting within Korea, 10 years if going overseas). 13 years is a long time to the trainees, but it’s also a long time for the management as well, since they are making a 13 year promise to take responsibility in transforming the trainees into stars.

Lee Soo Man cited these long term contracts as the biggest contributing factor to K-Pop’s widespread success all over the world.

He stated,

Even the U.S. couldn’t establish a management system like ours. Picking trainees, signing a long term contract, and teaching trainees for a long period of time, this just can’t happen in the U.S. U.S. agencies are hired as sub-contractors after an artist has grown and gained popularity on their own. As a result, the agencies only play roles of sub-contractors, and can’t make long term investments in singer-hopefuls.

However, in Korea and Japan, whose cultural industries developed later, agencies were free to make such contracts. That’s why we have been able to make these long term investments.

While on the topic of ‘industries’, the reporter took the opportunity to question Lee Soo Man about “CT”. They asked, “You came up with the word CT (Culture Technology). What is the secret to becoming the winner in the CT industry?”

Lee Soo Man replied,

“The IT (information technology) industry is often said to be a high risk-high profit industry. However, CT is an industry with an even bigger risk-profit ratio. In an industry like this, the most important thing is to avoid things that happen by chance, or only once.

To give an example, a talented artisan possesses pottery making skills that are unrivaled by anyone. His skills lie in his sense of touch and his fingertips. If you want to learn these skills, you have no choice but to train under him. However, if this skill can be recorded carefully and taught to disciples, and if he could pass this skill down successfully and receive copyright fees – this could become an industry.

This is what SM Entertainment is trying to do. Whatever skills I, or one of our employees possess, are written out and passed down through training and education. Only then can something become continuous. If this kind of system cannot be established, everything will only have happened by chance and end as a one-time occurrence.”

He also added, “People worry that without Lee Soo Man, SM will come to an end, so that’s why a ‘clone’ has been made to take the place of Lee Soo Man.”

He revealed that this ‘clone’ is a team made up of six people who are specialists in areas like dance, singing, and mixing music. He stated, “Something better than a copy of Lee Soo Man will be produced, and SM will become even bigger.”

– > Patience is Lee Soo Man’s secret to his management:

The entertainment industry is essentially about making the right choices; choosing the best singer, choosing the best staff, choosing the best music. Knowing this, Lee Soo Man handles each decision with extreme patience. Before making a choice, he looks over almost an excessive amount of options, but if he thinks that there is no answer, he will cleanly give it up. There have been many occurrences of ‘sunken costs’ that could not be recovered, but Lee Soo Man doesn’t seem to care. Rather than risking his neck for a product that is ‘so-so’, he is willing to invest the time and money until the best comes out.

Taking this into consideration, Lee Soo Man introduced the topic of his upcoming group.

SM Entertainment’s new group will be made up of two sub groups who have the same concept. One group will promote in Korea, while the other group will promote with the same song in China. The groups are currently referred to as ‘M1‘ and ‘M2‘.

In order to find the perfect title song for these two groups, SM held an event called ‘Music Camp’ in Denmark and Norway in August. The event drew 50 composers from all over the world, who came to compose a song for SM Entertainment over 3 to 6 days. SM Entertainment showed the composers M1 and M2, and once they explain the concept they wanted and the rhythm they seeked, the composers were free to come up with their own songs.

Even though they held this event twice already, SM Entertainment still hasn’t been able to pick a suitable title song for M1 and M2. Lee Soo Man stated,

“If you look at it from one point, we have thrown away a lot of money. However, we’re always doing things like that. SM Entertainment has three sources of power: training, adherence to the system, and songs. It usually takes about 4 years to launch a new group. In order to write one song for TVXQ, 50 people had gathered. It required around 4 billion won ($3.5 million USD) for TVXQ to make their debut. In addition, another 4 billion Korean Won was required for album production and promotional fees.”

Lee Soo Man then went on to explain how his patience and methodical system allowed him to create super idol groups, TVXQ and Super Junior.

After BoA’s successful venture into Japan, the SM Entertainment CEO wanted to create a group that could be successful not only in Asia, but all over the world. Since he had a limited number of trainees, much deliberation and focus was needed to decide how to make this group happen. Lee Soo Man decided to choose the best members out of several trainee teams to create a new group that could be considered “major league”. This group was none other than TVXQ.

As for Super Junior, Lee Soo Man revealed, “All the other groups were on the verge of being dissolved. However, since they signed contracts with us, we had to take responsibility. So out of these groups, the group that we raised to do well both in music and variety shows was Super Junior. They put in their sweat and tears to survive [in the industry], and we felt bad [watching them] so we tried to help them.”

And what about SM Entertainment’s plans for expansion into the U.S.?

The reporter asked, “SM TOWN is going to be held at Madison Square Garden in New York, are you going to be making an official venture into the U.S.?” Lee Soo Man replied,

“No, it’s not like that. Rather than venturing into the U.S., we are just holding a concert as a consolation for the people we consider a part of an imaginary country called SM TOWN. The markets of China and Asia will be bigger than the U.S. market. Thus, it isn’t really necessary to go into the U.S. In the near future, when a ‘Hollywood of Asia’ appears, the cultural center of the world will make a big shift to Asia. Asian songs are not well known in the U.S.? Totally irrelevant because Asia will soon become the center.”

– > Lee Soo Man’s dreams for the future:

Lee Soo Man is a man who is always dreaming. His current dream involves producing a musical like ‘Billy Elliot’, where he’ll draw different groups from all over the world and have them perform. He revealed that the story would be about a mom and a child arguing over classic and pop music, but end up realizing that better music can be produced when the two are combined. The musical would feature a combination of past and new songs of SM Entertainment.

As this interview was being conducted, the news about Teddy Riley composing SNSD’s new song broke out. When asked to comment about the news, Lee Soo Man commented, “It’s my dream to produce a composer that makes the most money in the world through SM Entertainment.”

Source + Photo: Chosun
Tip: puchicatos
credit: allkpop

Momma’s Source: sharingyoochun.net

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Translation: An Automatic Pardon For Lee Soo Man,The Originator of the European Korean Wave ‘Slave Contract’ [Fiasco]?

An article of interest found at thejyjfiles

[TRANS] An Automatic Pardon for Lee Soo Man, the Originator of the European Korean Wave ‘Slave Contract’ [Fiasco]?
Posted on June 23, 2011 by The JYJ Files

Note: This article was originally posted on the first page of news portal sites. However, it suspiciously disappeared from the front page quickly after it was posted.

An Automatic Pardon for Lee Soo Man, the Originator of the European Korean Wave ‘Slave Contract’ [Fiasco]?
2011-06-21

[金土日의 리트윗] And if they buy it just because we export it?…the things that get buried under the hype about European expansion
The Korean Wave is tumultuous. Korean pop culture, which started rapidly spreading abroad in the late 1990s through TV dramas, to this day doesn’t show signs of slowing down. And now, through the Internet, Korean idol singers are even widening their stage all the way to Western Europe. This story was already reported by numerous media outlets, but the fine details were omitted. In any case, in summary, it was reported that even average European consumers were starting to respond to the musical products of the pop music business pioneered and executively directed by Lee Soo Man.

European Hallyu, a different and disorienting reality

The Korean Wave in Europe, for all the spotlight put on it in the 9 o’ clock news, is seen as a special case. ‘Ah, we [Koreans] have really become this admirable’, and this new impression seemed to not only be limited to SM Town but was spreading throughout Korea and even to far corners of the world. The most fitting phrase to describe this situation would be ‘a different and disorienting reality (격세지감(隔世之感)’.

In a way, the response came late. In the sports world, there have always been world-class stars. Kim Yuna, Park Taehwan, obviously Park Jisung, Park Chanho, Nam Hyunhee, Park Seri and others have shone on the world stage one after the other in a way similar to stars. And although the context is somewhat different this can also be said of our film directors like Park Chanwook, Bong Junho, Lee Changdong and Kim Kiduk who are acknowledged as world-class in their profession, renowned and have been central in raising awareness of Korean film, and consequently the pride of all involved in the film industry rose with them. And hey! Even the UN Secretary General is a Korean.

Popular Music that has fallen behind, the stigma of a copycat

Compared [to these other industries] the fuss that is the Korean Wave, in spite of the economic benefits it has brought our country, Korea’s popular music has not been able to give the sincere impression that its value has reached world-class levels up ‘til now. This is because its sphere of influence had not been able to extend beyond Asia, which always felt like an inadequate border. Perhaps this evaluation was coloured by prejudice centred on money, but if one considers the fact that there are countries that are much poorer both economically and culturally than Korea but whose music is known throughout the world it could be said with certainty that our country’s music in comparison to other areas had fallen behind in comparison.

On top of that, for a long time Korean pop music was branded with the stigma of being a ‘copycat’. This reputation came from the fact that almost all our musical genres from trot to rock and hip hop were all musical styles copied from elsewhere, and our history is full of such examples. In any case, wasn’t this a time when everyone was wearing jeans and suits? Instead of re-inventing foreign music in our way to fit with our pop music context we were quickly eager to copy continuously left and right, which consequently made it difficult to avoid plagiarism scandals and shake off the stigma associated with that. A lot of people held idols, dancers, lipsyncers responsible for the proliferation of this kind of knock-off music since they were the representatives and ambassadors for it. In particular, in the heyday of the illegal MP3 downloading controversy, a lot of netizens accused idol music of being, simply put, “rubbish” and, going further, “only the title track is worth paying for and the rest is rubbish”.

Enthusiasm on the mainland, an excessively strange spectacle

In these circumstances, where the very Western societies that had solidified the notion that Kpop was nothing more than a product of plagiarism and knockoffs was all of a sudden enthusiastically forming crowds to listen to Korean pop music…this image was indeed powerful and effective. This was on the scale of a dramatic human documentary story of an elite restaurant owner who had started out as a poor delivery boy. On top of that, the central figure that had brought this about was not a top-quality rocker or true musician but the knockoff-stigma-ridden idol, dancer, lipsyncer. There couldn’t have been a bigger irony.

In addition to the 9 o’ clock news, the majority of the media were singing with one voice in praise and admiration for the Korean Wave in Europe. This doesn’t mean that there aren’t voices both without and outside of Korea raised in criticism, but there voices were made feeble and difficult to hear. In the midst of these developments and in conformity with them, people began to suddenly re-evaluate the idols, dancers, lipsyncers at the centre of the Korean Wave in Europe and change their position with regards to Lee Soo Man, praising him. It appears there are even calls from sincere people to re-evaluate [Lee] as an innovative entrepreneur.

Lee Soo Man in the limelight, a futile generation

However, not everyone deserves a “re-evaluation”. It would be applied to people who, due to the limits of their time, had to make difficult decisions in order to reverse the polluted reputation of their line of work, but after a long time passes it becomes clear that their actions brought about a positive future in the end. In the case of Lee Soo Man, it’s obvious that he was able to reverse the polluted name of Korea’s music industry, but there’s still a long way to go before one can say that what he did was to overcome some dark aspect or that he assumed the role of the bad guy in order to bring about a brighter future. He only assumed the role of the bad guy for his own monetary ambitions and reputation, and the result of that is precisely the 21st century Korean pop music industry structure proliferated through TV and variety programmes and centred around idols, dancers, lipsyncers.

Lee Soo Man is the representative figure of this industry that has solidified the presence of the “slave contract” by taking advantage of adolescents chasing their dreams. Dong Bang Shin Ki, H.O.T and other star-quality groups that he shared joys and sorrows with, he has put through legal conflicts and dirty and painful separation sagas. Even where the law has taken care of the separation, to him there is no such thing as coolly letting go. Mobilising every means that he could mobilize, he has chased them down to annihilate them with methods so low that they are like those of alleyway thugs.

People all over the world are sure to remember his deeds from the past. Such deeds, he perpetrated not once or twice and given their scale in severity they have been special features in the media; people are bound to remember. And so, what is with this sudden forgiving public mood toward him just because he claims to be an important exporting mainstay? This too is an incredible case of “different and disorienting reality.

金土日 동네뮤지션(449PROJECT) media@mediatoday.co.kr

<저작권자(c)미디어오늘(www.mediatoday.co.kr)>

Source: Media Today
Translation credit: Jimmie of TheJYJFiles

Just some reposts courtesy of the fans at thejyjfiles Thank you.

Brin says:
June 23, 2011 at 11:05 am

The popularity of idol groups overseas is as much due to devoted fans posting, translating, and promoting the artists as it is Lee Soo Man. He may have started these groups, but he would not be able to send them to Europe if their fans had not spent such a significant amount of time making sure their beloved idols were better known. Lee Soo Man is only a part of the equation, he should not be getting all the credit. He may have given the artists a chance but they still sweat and bled for it, and the fans stood behind them. I hope Korea remembers that individuals are just as important, if not more so, as recognition.

Reply
roxie says:
July 1, 2011 at 5:29 am

exactly what I was thinking !!!
it ‘s mainly because of a group in facebook which gathered almost 8000 people that smtown was held in paris, not because of Lee Soo Man at all !!!
The fans were in Europe before he even cared about the european hallyu !

Reply
Shhh says:
July 16, 2011 at 3:55 am
Totally agree.

Reply
shuheilove says:
July 15, 2011 at 2:14 am

Well I think the most important thing we have to be awared of is that Lee Soo Man is a man who has achieved recognition due to the artists he has trained and promoted having them under slave contracts, profiting on their work in an scandalously barefaced way.

Momma’s Source: thejyjfiles

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