[Info] 130328 “Yawang” Production Company Sues Japanese Netizen for Copyright Infringement

[Info] 130328 “Yawang” Production Company Sues Japanese Netizen for Copyright Infringement

Uh oh! It looks like the production company behind SBS drama “Yawang” has recently sued a Japanese Netizen because of charges of copyright infringement. According to the CEO of the production company on March 27, “One Netizen that lives in Japan has created teaching material for Korean by using the script of ‘Yawang.’ We have found evidence that it is currently being sold on the internet and we have submitted our lawsuit to the Seoul Gangnam police department.”

According to the production company, this Japanese Netizen recorded all of the dialogue. This was made into Korean subtitles that were then used as teaching material for Korean.
A representative of the legal team for the production company stated, “Currently we have the defendant’s IP address and proof of business transactions on the website. We have now submitted our lawsuit. The police department will work with Interpol and investigate about the defendant.”

The production company also added, “We have decided to ask for the investigation to represent the interests of all the production companies that create Hallyu content.”

“Yawang” will have its last episode on April 2. It will begin broadcasting on Japanese KNTV in May.

credit: soompi

Momma’s Source: sharingyoochun.net

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[News] 120320 JYJ Sues, “Malicious Articles Are Just To Harm The Members”

[News] 120320 JYJ Sues, “Malicious Articles Are Just To Harm The Members

A spokesperson for group JYJ announced that they will sue a media outlet who released additional voice files regarding their ‘sasaeng fans.’

A media outlet reported, “The assailant Kim Jae Joong became a victim when media outlets covered their outbursts after certain incidents. His act of violence and violent language are interpreted as self-defense. What is worse is people think that the ‘sasaeng fans’ are not fans so they can be assaulted.”

“Obsessive love from ‘sasaeng fans’ should be blamed. They have to control themselves and reflect on their conduct. But an assailant is not allowed to turn into a victim. Even though they have been hurting a lot of stars, that doesn’t mean they can be violent.”

 JYJ’s agency, C-JeS Entertainment, announced, “Regarding the release of additional voice files of JYJ, we think that the articles are just malicious with the intent to harm the group members, not to give information to the public.”

“We decided to take legal action towards the malicious articles. We already asked our lawyers to write up a defamation complaint and it will be accepted today.”

“Since Park Yoo Chun’s father has passed away, the group members are having a hard time. We can not understand why they are acting like this.” JYJ’s legal agents, Sejong, said, “We think that releasing illegally recorded voice files with a persons real name, without consent from the person is clearly defamation and an invasion of their privacy.”

source: TV Report
credit: en.korea

Momma’s Source: sharingyoochun.net

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Translation 110725 Avex Sues The Sumo Association For 143.4 Million Yen

[Trans] 110725 Avex Sues The Sumo Association For 143.4 Million Yen

(T/N: This article was translated from the magazine Shuukan Genzai. It’s a rather disorganized article and contains factual errors, so please take this article with a pinch of salt. Also, additional translator notes had to be added to make more sense out of this article, so please bear with me)

Even if you’ve never heard of the popular Korean idol group JYJ, you would probably be familiar with the name “Tohoshinki.” 5-man boyband Tohoshinki is a highly popular group that was ranked as the no.2 best selling artist for CDs & DVDs last year in Japan, with earnings close to 9.4 billion yen.

However, unexpected trouble has arisen due to their “Charity concert” which was held in the Ryogoku Kokugikan on 7 June this year.

Tohoshinki’s management company in Japan, the large recording label Avex has announced that they are currently suing the Japan Sumo Association, who owns and manages the Kokugikan. We will talk about the details of this lawsuit a little later, but Tohoshinki has been facing various issues within the year.

During spring of last year, 3 of the 5 members in Tohoshinki revealed their unhappiness with the low amount of remuneration they were receiving, and broke away from their (Korean) management company, which is one of the largest entertainment companies in Korea. They became independent and started activities as “JYJ.” At the same time, they also left their Japanese management company Avex, and started doing activities independently. Currently, the two remaining members are continuing their promotional activities as “Tohoshinki.”

(T/N: This is a factual error. JYJ signed a new contract with Avex initially as JEJUNG/JUNSU/YUCHUN (JJY), which led to the release of the “The..” album as well as the “Thanksgiving Live in Dome” concerts, with Avex announcing the suspension of JYJ’s activities later in the year citing reasons as stated below)

However, it was later discovered that JYJ’s management company C-Jes Entertainment’s representative was involved in gang-related activities, and this was picked up by the sports papers. (T/N: Sports papers = Japanese tabloids)

Sending Propaganda Vehicles to Avex

Furthermore, this issue became complicated in May this year.

“On the morning of 6 May, in Tokyo’s Bunkyo City, near Avex’s Executive Vice President Chiba Ryuhei’s home, right-wing propaganda vehicles turned up in an aggressive manner.

While yelling “AVEX!” they continuously played the Japanese anthem at a loud volume in the quiet residential area. These propaganda activities would happen for around 15 minutes at a time, and occur several times a day, continuing for a week. Chiba’s family were emotionally run down, and were too afraid to even step out of the house. Naturally, the police officers in the area came and gave repeated warnings about this.

Around the same time, the same propaganda vehicles visited the Avex head office in Aoyama, shouting about the nuclear plant and other unknown issues before leaving. The volume could be heard so loudly that it affected the operations within the office.”
– Representative from the Police

The famous right-wing group that sent the vehicles explained that the protest was due to Avex’s actions to demand a prohibition.


According to this right-wing group, JYJ had been planning for this charity since May of this year.

“Initially they planned to hold it at Tokyo Dome, and we received an inquiry from them. However, we hold the management rights within the country, and having this concert with such disregard would be a breach of contract, and therefore could not be allowed. The event location was informed that they would be held responsible as well, so Tokyo Dome refused to give its approval (for the event.)

C-Jes then approached Yokohama Arena, Saitama Super Arena and others, for a location to hold the event. We received inquiries from various locations and we gave the same explanation, requesting for them to desist. “
– Avex related personnel

Saitama Super Arena, who had already started selling tickets, panicked and withdrew (from the agreement) after receiving this notice from Avex.

Immediately after this, the protests happened. Where the right-wing group heard about the event is unclear but, “After so much effort in organizing a charity event that could raise 100 million yen for the disaster victims, why are you raising objections and preventing the event from happening,” they argued with good reason.

It was around this time that suspicious people started “paying visits” to Avex.

Just before Golden Week, a man claiming to be from another right-wing group visited Avex, saying “The Koreans are helping to raise relief funds for the Japanese, so why are you causing problems for them?” and other things, raising his voice at the staff who served him.

Also, there was an incident of a man holding a name card of another group visiting the head office building, but was stopped by the security personnel.

Warnings Were Issued To (Japan Sumo Association) Chairman Hanaregoma

All of a sudden, the 7 June concert was to be held at the Kokugikan.

“An email came, with contents that said something similar to, “To the fans, this wouldn’t exactly be called a concert but more of a fanmeeting.” Although this was announced just before the event was held, most of the fans participated very happily. The tickets cost 8,500 yen per person. Compared to the time of Tohoshinki, the trio’s dances may seem a little lacking in power, and it was a pity that they couldn’t sing Tohoshinki songs, but the fans were really passionate as they were finally able to see the three members after a long time.“
– Female fan who attended the concert

However, Avex was enraged by this sudden concert. “We informed all concert venues that JYJ and C-JeS were in breach of contract, and requested for them not to hold the concert. However, the Kokugikan silently pushed through with it.

“On 10 May, we issued a warning letter addressed to the Executive Director of the Japan Sumo Association(JSA) and distinctly requested for a cancellation. But a representative of the Sumo Association called us on 12 May and said “Settle the problem among yourselves,” “Because we have already given them approval to use the venue, and also received payment.” in a hostile manner. On 2 June, just before the concerts, we sent another warning to Chairman Hanaregoma, but was completely ignored.”
– Avex related personnel

Avex even applied for a provisional disposition to prevent the concert from happening, but it was held nonetheless. And now, they are now suing the Sumo Association and its management partners, requesting for 143.4 million yen in compensation at the Tokyo district courts.

This compensation amount was calculated from the expected profit that Avex would have earned as the rightful management company, if they had held the concert.

“All of the concert venues in Japan refused to hold this concert because they knew about the problems between ourselves, the right-wing groups and gang-related people. But for some reason, the Kokugikan agreed (to hold this concert.) We suspect that it’s possible that they may be connected to those (right-wing groups and/or gangs) sides”
– Avex management staff

The Sumo circle have always seen gang-related people sitting in the “ijiin” seats (T/N: the best seats closest to the sumo ring) , and there has been rumours that the “oyakatas” (T/N: Sumo coaches) have gang connections as well. With regards to this lawsuit, the Sumo Association said, “ We have yet to be able to verify this writ, so we are unable to reply to your inquiries.”

For the Sumo Association, who were finally able to hold their “Grand Tournament,” after being plagued by misfortune, a popular idol group concert would definitely have been something that they would want very badly. However, it resulted in them antagonizing a big record company.

Source : [Shuukan Genzai]
Translated & Shared by : dongbangdata.net

Momma’s Source: sharingyoochun.net

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Red Alert!!!! O.K. Here goes. While read…

Red Alert!!!!

O.K. Here goes. While reading the information from the posting entitled 110315 Investor in JYJ Concert Sues Rights-Holders for Fraud….. with the subsequent understanding that there are supposedly investors out there who put out bukku bucks to get a return on artist’s performances–this question came to mind.
If there are individuals (and perhaps corporations?) out there investing millions of dollars into production companies for the use of promotion, expenses, etc; then why did SM have such a burden that they had to assign so much cost to be covered by their individual artists and groups? Where there is smoke there is fire.
So, if I am to understand this correctly–they are sueing C-JeS, and co. even though C-JeS says that the concert rights were transferred to Warner Korea who transferred them to KimXX? It sounds like selling bad loans. This opens up a whole new school of thought on coverage of concert expenses, profit vs non-profit concerts, and who gets caught holding the ball. Also, do any of those investment profits ever in any way benefit the artist themselves? Good Question. Hey, Folks. Give me some feedback here. And if you choose to copy it, please give me credit for the original. Momma Cha

[News] 110315 Investor in JYJ Concert Su…

[News] 110315 Investor in JYJ Concert Sues Rights-Holders for Fraud immediately after the hearing was over, articles like the below were plastered all over the Korean web:

Investor in JYJ Concert Sues Rights-Holders for Fraud

The Plaintiff Park XX sued Kim XX and C-JeS’s Director Paek XX, Warner Korea’s Director Whang XX, and others for fraud in Seoul Central District Court.

Park revealed in his complaint that “The Defendants conspired to deceive me and defrauded me of my wealth and so I sue.”

According to Park, the Concert Rights to the “JYJ Show-case Tour 2010″ of last year was transferred from C-JeS to Warner Music Korea. After that, it was transferred multiple times and (in the end) reached Kim XX.

Park said that “(he) was interested in the concert industry and from the introduction of a friend first met Kim XX. Kim said upon our meeting that he has the Concert Rights and that if [Park] invested, [Park] could make a very large profit, and recommended enthusiastically that [Park] invests.”

According to Park, he followed Kim’s advice and started to deposit money from October 7th of last year, and drafted an official contract on October 14th. The 5 locations of the concerts were Hong Kong and the USA’s Seattle, New York, San Francisco, and LA. The invested funds were to be used entirely for the concerts, and the budget for the cost of the concerts were to be notified (to Park) in advance. At this, Park invested 1,244,850,000 KRW (approximately $1,244,850).

Park said that “(he) requested proof of the details of the use of funds around October 20th of ast year. But Kim kept pushing it back with excuses of being busy.”
Park also argued that “contrary to what Kim said about his company’s state, Kim’s company had a lot of debt. It’s also been confirmed that he had intention to use the profits from the concerts to repay his debt.”

Park said: “Kim used a company that was already a dissolved company for tax purposes to contract, and he also concealed the fact that he has a debt load of billions KRW when we entered into the contract. Even the profits from the concert of 350,000,000 KRW(approximately 350,000 USD) were collected by the creditors and [Park] suffered harm doubly and triply.”

Park explained the reason for his suit in his complaint: “JYJ held a for-profit concert in Hong Kong on October 24th of last year. But the concerts in the 4 locations in the US, due to the fault of the C-Jes, were non-profit, not for-profit. The defendants did not provide a clear explanation [to Park] even though the schedules and the locations of the concerts were changed. Also no one informed [Park] of the above with official documents. [Park] did not recover one cent from the investment.”

——————–

To summarize, C-JeS transferred the concert right to Warner Korea, who transferred it to others, who eventually transferred to someone named Kim XX.

Kim XX, according to Park, told Park that the concert rights were a good investment and that Park should invest in them.

Park alleges that Kim defrauded him.

Please notice that C-JeS and Warner Korea are not involved in any way in this. By the time that Kim met Park, the concert rights did not even belong to C-JeS or Warner Korea. It belonged to Kim. This was a deal that was strictly between Park and Kim. It is unfortunate that Park decided to drag C-JeS and Warner Korea into this by naming the companies as co-defendant and extremely convenient for SM that the stories are being circulated moments after the JYJ-SM hearing is concluded.

———————–

The details from today’s hearing will follow shortly. According to accounts, it was quite disastrous for SM and the worst of the hearings (for SM) so far.

Stay tuned.

Source: Star News
Credit: JYJ3

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