The reason why everyone should see Kim Junsu in āElisabethā
āElisabethā, the large-scale musical that took the industry by storm last year, has returned. Like last year, Kim Junsuās performances, which seat a total of 20,000 people, were sold out in five minutes.
Looking at the overall critiques by the public and media, Kim Junsuās ticket power is astounding. But this time around, the expectation for āElisabethā is different from that of last year, because this time around, many people are saying āāDeathā by Kim Junsu, āDeathā for Kim Junsu.ā
First of all, last yearās Tod role was given to three actors, Ryu Jung Hwan, Song Chang Ui and Kim Junsu. The first two actors are veterans who each have at least 10 years of experience in the industry. Because of this, Kim Junsu was constantly compared to them for their ease and presence on stage.
On the other hand, 2013ā²s āDeathā role was given to Kim Junsu, and two other young actors. Park Hyo Shin, who appeared in āRock Hamletā in 2000 but is better known as a singer than a musical actor, and Jeon Dong Seok, who hit the musical scene through the 2009 production āNotre Dame de Parisā.
Not only does Kim Junsu have the merit of having been in the first round of āElisabethā performances, but he has also created a strong foundation for himself in the past three years through āElisabethā, āTears of Heavenā and āMozart!ā.
During the press call of āElisabethā that was held on the 25th at the Seoul Arts Centerās Opera House, composer Sylvester Levay showed his faith in the singer as he said, āI personally think of him as a close friend and Iām honored that Kim Junsu will be working with me for another production since āMozart!ā. His presence on stage is truly spectacular.ā
Kim Junsuās role of āDeathā is a fantasy character that draws off the fact that the real-life empress Elisabeth used to write countless poems about death. He is an important character who makes the life of āElisabethā more dramatic and tragic.
āDeathā falls in love with āElisabethā when she falls from a tightrope at a young age. He is a mystical character whose gender canāt be properly defined. Though he approaches Elisabeth as a man, he approaches her son Rudolph as a woman. He follows her wherever she goes throughout her life, and tries to seduce her into taking the last dance with him because he is the only one who can give her true freedom.
The image of āDeathā, who is both strong and soft, is similar to Hyde of āJekyll and Hydeā or the phantom of āThe Phantom of the Operaā when he appears on a lift. In the musical, he seduces both Elisabeth and her son Rudolph, but also has to draw the audience in and entrance them.
āDeathā is accompanied by six āAngels of Deathā, who fill the stage with sophisticated choreography. The āLast Danceā number showcased Kim Junsuās superior dance skills that he honed as a member of idol group JYJ.
During the press call, Kim Junsu performed āThe Shadows Grow Longerā and captivated everyone with a more dignified and charismatic stage presence than last year. During the press conference that followed, he impressed the reporters as he sat and paid attention to what the other actors were saying. It seems as though we must let go of some of the prejudices and negative feelings we have for singer-turned-musical-actors when it comes to Kim Junsu. One critic even justifiably stated, āKim Junsuās aura grows longer.ā
Kim Junsu is currently facing restrictions on his activities as a singer due to a dispute with his former agency. During the press conference, Kim Junsu stated, āMy longing for the stage is on the verge of desperation. Iām only able to show my energy through concerts or in musicals. As desperate as I am, Iām going to put all my power and energy into each and every scene.ā The instincts he picked up while on stage, as well as the passion he has for what he does, will ensure that Kim Junsuās charisma will have increased tenfold this time around.
One more thing, EMK plans to open the musicals āMarie Antoinetteā and āDance of the Vampireā next year and the year after, and it looks as though he may be in the running to appear in one of these shows.
Meanwhile, the big and small changes made to this yearās āElisabethā is drawing the attention of many. The biggest change is that a new song called āThe Dance of Love and Deathā has been added to the musical. As a song that was showcased during the Japanese performances of the musical, it will greet Korean audiences this year. Small details have been fixed to bring a new āElisabethā to the music industry.
āElisabethā opens on the 26th of July and features Ok Joo Hyun and Kim So Hyun as the leading role of Elisabeth. They will be joined by Lee Ji Hoon, Park Eun Tae, Yoon Young Seok, Min Young Ki, Lee Jung Hwa, Kim Isak and Noh Ji Hoon.
Source: [entermedia]
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