[Vid] Winners of the 2012 Allkpop Awards presented by Naver BAND!TVXQ CUT
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As K-pop continues to stretch ever forward into the world’s music market, the genre has been blessed with contributions from major movers and shakers from the US market on numerous occasions. From JYJ‘s early collaboration with Kanye West and the Wonder Girls release of Like Money featuring Akon, to the anticipated collaborations between PSY and Scooter Braun and 2NE1‘s work with will.I.AM, more and more international music producers and artists are getting bit by the K-pop bug.
Recently we sat down with producer and songwriter Bruce “Automatic” Vanderveer who made his K-pop debut with his collaboration with JYJ’s soulful vocalist Kim Junsu on the English single Uncommitted that was released in August 2012. We set out to not only get to know Mr. Vanderveer better, but grab some insights on how his collaboration with Junsu came to be – what was is like meeting and working with him, and how the fan’s reaction to the collaboration has changed his view on not only K-pop and its scores of fans but also the limitless talent and global potential of JYJ and its members.
Automatic, as he is called by his friends and family, was born in Brooklyn, New York and currently works as producer and song writer for Sony Music. He has worked with great artists like Pink, The Pussy Cat Dolls, and Snoop Dog along with iconic artists like Cher, James Brown and Michael Jackson over his twenty year career. Although well known in the music scene in the states, little is known about him globally. As we sat down with him, we started off with getting a little back story on how he originally got into the business and he regaled us with the story of how he got his nickname.
How did you get the nickname “Automatic”?
Automatic (laughing) : ”I can start out by telling you my story about playing guitar. I beat up a kid in Brooklyn, NY because he didn’t want to let me play his guitar. So, I kicked his (butt) very quickly and then grabbed the guitar and tried to play it as fast as I could because I knew his parents were going to come out and get me arrested or something. But, I quickly wrote a song in fifteen minutes and my mom came out and instead of her, you know trippin’ because I beat the kid up, she was just like “How did you do that so quickly?”. She’s the one who gave me the nickname “Automatic”. She was like “You automatically played that.” So she got on the phone and started telling her friends “My son automatically played the guitar.” “Little Automatic” and I [began] to use that as a dancing name.
Could you tell us a little about how you got into the music business?
Automatic: “I started a band in New York and we played everywhere, the Cat Club, and the Palladium, and we had an incredible following. I auditioned for a lot of record companies and finally Morgan Creek Polygram Records signed me. That’s how I got into the industry.”
After Mr. Vanderveer gave us a glimpse into his history in the music business, we turned to the subject of his collaboration with Kim Junsu and discussed how the collaboration came to be, the story behind the track itself, his first impressions of Junsu, and what it was like working in the studio with him.
While you have been in the music business for quite some time, your notoriety in the K-pop world didn’t make its debut till the release of “Uncommitted”. Could you tell a little about how that collaboration came to be? Who contacted you initially?
Automatic: “The craziest thing about this whole thing was that I didn’t even know who Junsu or JYJ was. I didn’t know what Kpop was until August. My daughter would constantly tell me about groups that she listened to from Korea and Japan (for the last couple of years). She would say “Daddy I just heard this great Korean group.” It was wild.”
Automatic: “The executive from CJeS, Niddy (Tyrone “Niddy” Buckner), called me and he asked me if I was “Automatic” from Sony Music, because I had a hit record a few years ago with Bettina Bush from American Idol. He said “I’m working for a group called JYJ. Do you have any songs to submit?” I was like “What kind of music do they do?” and he said “Oh, well they are from Korea but they do Pop and R&B. So, if you have any male oriented songs, we’re really interested in what you have.” So I submitted some stuff. Uncommitted was a song I wrote four years ago, so I wasn’t even going to submit that song, but at the last minute I just threw it in there anyway.”
Automatic: “I got a phone call a couple weeks later from Niddy saying that CJeS loved the song and that Junsu wanted to do it. At that point my daughter freaked out and said “Junsu! Junsu! Daddy do you know who that is?” I was just like “No” and she ran me through all of his stuff. She sat me down and gave me a JYJ and Junsu lesson. I was just blown away because these guys were not only awesome but they work so hard to perfect their craft. It was something you didn’t see that much anymore in America.”
Is there any story behind “Uncommitted”? Is it based on an event in your life?
Automatic: “It wasn’t from my life, but, a friend’s. He was a serious player. I would always tell him he needed to stop that lifestyle because everyone knew he had this reputation. It was going to be hard when he got serious. But he kept saying “I’m never going to get serious.” until he literally found a woman that was just perfect. She was just awesome. He said “This is the woman I want to settle down with.” And I was so happy for him. So he told her how he felt and she stopped him mid sentence. She said “I know you’re not going to ask me to go steady or get married.” He was stunned as she told him “You’re good for these kinds of dates but I know all about your reputation. I know who you are. I’m not going to be bringing you home to meet my parents. He was so brokenhearted.”
What was your initial impression when you met Kim Junsu for the very first time?
Automatic: “I was expecting him to be a lot more reserved but the greatest thing was that when we met it was instantly like were two old friends. He cracked a joke and then I cracked a joke. It was like we (already) knew each other. It was just not what I thought it was going to be like. I thought he was going to be reserved, quiet, and shy, and he was not at all. Junsu was hilarious, funny, vibrant, and just ready to work. We had a ball. We were laughing together like two old fools. It was crazy.”
Are there any interesting stories that you would care to share about your experiences while working with Kim Junsu in the studio?
Automatic: “We hit it off so well. When Ebony Cunningham (the VP of InRage Entertainment and my fiance) was vocally guiding Junsu on the second verse and the bridge sections of the song, he got it really well. He went into the booth and every time he did it so beautifully that I got excited and said to him “Man you sound black. You’re just a brother.” to which he replied “I’m not black, I’m yellow.” and it was hilarious. Everybody in the studio started cracking up. He was so funny. This was one of the best sessions I ever had.”
After experiencing Kim Junsu’s vocals in person, what did you think?
Automatic: “My daughter had already ran me through JYJ’s repertoire. I just didn’t know that he was so soulful. One of the things I realized is that with a lot of his songs, he records really well but you still have not heard the best of Junsu yet. That boy can blow. Every time I sang a note he would sing that note and out-sing it. He would sing it better. He’s got so much soul. I don’t know where it comes from but I’m just blown away by it. He has talents and the gifts that people haven’t even heard yet. He has got the skills and I want to capture that onto records, on tracks. He reminds me of Michael Jackson. He’s the Michael Jackson of Asia to me.”
We then started to discuss a key point that InRage Entertainment and Automatic are great proponents of when it comes to the music industry – artist freedom. While it’s highly accepted by JYJ fans worldwide that their entertainment company CJeS has been very adamant about allowing JYJ all the artist freedom they desire, Automatic gave us an even deeper glimpse into the truth behind that understanding.
Automatic: “They have artist freedom and that’s what I love about CJeS. They are giving them the chance to explore other genres and languages. CJeS is just great for supporting JYJ artistically. When we were in the studio the CEO of CJeS was there. He was there for the entire session. How many CEO are there for their artists like that? You don’t see CEO’s and Presidents do that. It’s a rare thing. To see the CEO actually there making sure that Junsu had everything he needed, making sure that he was comfortable. It was amazing.”
After the entire experience, how did you feel about the time spend working with him? Did you know that the song was going to be a hit or were you a little apprehensive?
Automatic: “The greatest part about the whole session was that it was so fast. Junsu was dope. We did it quickly. We even took a break. He free style, we played guitar, he sang, and I played some other songs. Then he went back in and polished off the rest of the song. We did it in a couple of hours and usually my sessions last a day or two. Junsu is awesome – a complete professional.
I knew it was going to be a hit. I knew it when we were in the studio and he was singing the song. We were so excited, jumping for joy and clapping. We just knew it.”
We concluded our interview with a discussion on how the whole experience has not only affected his outlook on K-pop and JYJ but also how the treatment h’es received from the groups fans has affected him personally. It was quite heartwarming to hear an artist from the US, not normally associated with the K-pop industry, talk so appreciatively and respectfully about how passionate and loving Kpop
fans truly are.
As most people are well aware, K-pop fans are one of the most passionate group of fans in the world. When the news was released that you collaborated on this track, the eyes of the fan base was quickly fixed on you. How does it feel to be receiving so much fan love?
Automatic: “It’s the greatest reward, really. The fans are so loving and caring. Fans hit me up and ask me things like “Are you eating?”, “How are you doing?”, and “How’s your daughter.” That’s so bizarre to me. Fans in America don’t have that kind of appreciation.They are so caring that I’m hoping that we in America can learn a lot from how these fans treat the people they respect. The fan love is incredible. They are so dedicated to making sure that JYJ progresses and their YouTube views are up. It’s such a caring movement. I love it.
I’m so glad that I got a chance to do this, and witness the kind of love that they show. I’m so happy, and so appreciative, of all the fans that I get to talk to. I enjoy talking to the fans. They (JYJ) have the greatest fans in the world. JYJ are so lucky to have fans like that. I wish a lot of artist in America had that kind of fandom. I’m hoping we can learn from these fan groups and eventually adopt some of that love and respect. It’s so rare and it’s beautiful. “
Do you have anything you would like to say to our readers before we let you go?
Automatic: “I want to thank the fans from all around the world and let them know that their love has empowered me to be a better producer and writer. I believe that we are not only fans but friends. I call a lot of my friends “InRagers” because we stand for music equality; we stand for racial equality, and artistic freedom. These are all the things that JYJ has had to overcome. All these boundaries that have been put in their way, they have overcome them. That is what my company is all about. So,all the fans out there are InRagers to me. “
Mr. Vanderveer is currently working on numerous projects in and out of the Kpop world. His band, Asphalt Messiah, recently released a new track called Lets Get Dirty 2Nite which is currently available on ITUNES and Amazon. The rock anthem melds heavy guitar and driving beat with lyrics that incorporate web terminology to get your heart racing and your feet moving. While Mr. Vanderveer was unable to give us any specifics on his upcoming projects from the K-pop side of his endeavors he made it quite clear to fully expect some amazing things in that area, real soon.
We at hellokpop would like to thank Bruce “Automatic” Vanderveer for spending time with us and allowing us to give our readers a deeper look into Kim Junsu’s personality and his work ethic along with sharing with us humorous stories about his experiences working with him. We are looking forward to everything he has in store for the all the K-pop fans and wish him all the best in his endeavors.
Sources: Video: CJESJYJ
Photos: (Main) JYJ Official, Bruce Vanderveer
Credit: hellokpop
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I simply cannot believe the humility and talent of our Guys. Thank you Jae, Chunnie, and June for taking time to give us Joy!!!
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+update
[Vid] 130126 “Your, My, & Mine” Concert Day 1 Part 2
+updated again
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Well Ivory, You really surprised me with this birthday video for Jaejoong. So sweet, sincere, and cute. 🙂
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Queen of Ambition Poster
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Here are pictures of Jaejoong’s practicing with rock band! The mini-concert part of ‘Your, My and Mine’ consists of album tracks, event request songs and surprise songs!
credit: JYJ Facebook
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Thank You, Jae, for leading me to this singer. Beautiful, rich voice. His covers are just as beautiful as the originals. 🙂 TT
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TVXQ have become the first overseas artistes to have 12 singles top the Oricon charts in Japan.
On the 22nd, TVXQ’s agency stated, “TVXQ’s new single ‘Catch Me-If you wanna-’, which was released on the 16th, topped the daily Oricon singles charts as soon as it was released. It topped the weekly charts as well, making it their 12th single to top the Oricon weekly singles charts.”
TVXQ’s success has broken their own record for the most singles topping the Oricon weekly charts as overseas artistes. This is their 28th single to enter the TOP 10 of the weekly single charts since their 7th single ‘SKY’ in August, 2006, breaking the record for the most #1 singles and the most singles in the TOP 10 of the weekly singles charts released by overseas artistes. Their latest single contains the Japanese version of ‘Catch Me’, the title song of TVXQ’s 6th Korean album last September. ‘Catch Me’ topped various music charts in Korea, Thailand, Taiwan and Japan.
Oricon’s official homepage posted an article with the title, “TVXQ score their 12th chart-topping single! Breaking the record for ‘the most #1 singles’ for overseas singers”.
Meanwhile, TVXQ will be releasing their new Japanese album ‘TIME’ on the 6th of March and will begin their Dome Tour (Tokyo Dome, Oksaka Kyocera Dome, Fukuoka Yahoo!Japan Dome, Sapporo Dome, Nagoya Dome) on the 27th of April with their Saitama Super Arena performance.
Source: [TV report]
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A photo of JYJ’s Kim Junsu attending the first birthday party of musical actor Min Young Ki’s son has been revealed.
Min Young Ki posted the photo on his Twitter account on the 22nd with the caption, “Thank you Junsu, and thank you for your well-wishing remarks. I’ll never forget your loyalty!”
The photo in question was taken on the 20th at the first birthday party of Kim Young Ki’s son Haram, and shows Kim Junsu performing a congratulatory song.
Netizens who saw the photo left comments such as, “To have Kim Junsu singing for your birthday, I’m so jealous”, “Junsu’s loyalty is great,” and “If all the musical actors sang a song each, it would be like watching a musical.”
Source: [TVdaily]
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[Video] Jaejoong’s Meaningful Song Recommendations
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Beautiful, emotive songs.
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I follow Arden on Twitter. Just curious about her work. Very nice 🙂
Arden Cho – Tainted (original)
Arden Cho – With You (original)
Arden Cho – Hello Goodbye (original)
Arden Cho – I’m Just a Girl (official MV)
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TVXQ’s ‘maknae’ (youngest member). A small and quiet voice. The face of a person who grew up well. These were the few images we remembered of Max Changmin before the interview. Even during it, he was quiet, well-mannered, and gave us a peek at the humor that befits the youngest of the group. With these characteristics, Max Changmin talked about the TVXQ we know today. A group that has a very distinct divide between passionate fans and the public. A group that is creating its identity from scratch yet again. Max Changmin calmly discussed these points that others may have been hurt to hear about. And in that calmness, he is nurturing his competitiveness. He knows he is lacking in his dancing skills, so he works on it like a madman. He is nurturing his competitiveness to “never regress and nurture my promising skills whenever I start something.” The youngest who had always smiled is now starting to let his voice be heard, and he objectively looks back on his team’s progression and thinks of what will come next. He says he keeps moving forward with the thought that ‘There must be something more to come’, and it sounds more like a spell he places on himself rather than a mere wish. So many things have happened, but there must still be something more to come. For TVXQ. For Max Changmin.
“I fell for Choreographer Tony Testa’s compliments”
– With regards to widening the spectrum, the performance of ‘Catch Me’ begins with the two of you facing each other like a mirror, battling it out and then expanding to include the dancers. You must have had to put in a lot of effort to go one on one with U-Know Yunho, whose biggest strength is in dancing?
Max Changmin: Because everything was a new challenge, from the choreography to the song itself, I think I took on everything with more ‘determination’ than usual. Yunho is such a good performer to begin with and the ‘Catch Me’ choreography is about seeing another side of myself, so I was worried that the quality of the performance would be damaged if one person fell behind. I’m not someone who has a lot of confidence about my dancing, but Choreographer Tony Testa kept complimenting me over and over again. I fell for his sweet talk of, “Max, you’re really great. You have talent. Have confidence in yourself.” (laughter)
– If ‘Catch Me’ is a performance with a perfect concept, ‘Humanoids’ feels like it’s less intense and more relaxed within a generalized style of choreography.
Max Changmin: Tony Testa had to express the rage against a lover who is trying to leave with his ‘Catch Me’ choreography so I thought, ‘Ah. We must be the only people this guy is doing this to.’ (laughter) But then I saw Jong Hyun’s expression in SHINee’s ‘Sherlock’ and I could see that he had asked Jong Hyun to show intense emotions on his face as well. On the other hand, I felt like I could be more relaxed and enjoy dancing to ‘Humanoids’.
– ‘How are you’ focuses on the two people’s harmony, while songs like ‘destiny’ and ‘getaway’ utilize your vocal talents to the extreme. How was it recording an album as you increased your responsibilities as a vocalist and took on a new challenge?
Max Changmin: In the past, we were given parts that really fit our vocal range from the part-division process, and I was usually in charge of what people call the ‘screaming’ part of the songs. But now that it’s just the two of us, if we don’t expand the range we can take on, people will look at us and think, ‘As expected, they can’t do it with just two people,’ so we worked really hard on that. People around me tell me to take care of my throat and they tell me not to push it too far because I’ll have a hard time when I get older, but thankfully, I’m still okay. I think I’ve discovered my own techniques, and I think we’re able to carry a song from the beginning to the end better than before. Though that may be a cocky thought… (laughter)
– Though you were probably stimulated by your competitiveness, there must have been a fundamental change that took place?
Max Changmin: I thought to myself that I needed to do really well during the promotions of our last album, and I think for this album, I was more sincere with the recording process than I’ve ever been before. But that doesn’t mean that the pressure has increased. Producer Lee Soo Man said, “You shouldn’t strain yourself for your songs.” I think this applies to anything, though I didn’t know that in the past. So I’m more sincere about my songs these days, but I try to enjoy the whole process.
“I really hate ‘feeling inferior’.”
– It feels as though you look back at, not only yourself, but the past and present of TVXQ, in an objective perspective in order to face what comes next. TVXQ is a team that has always had its own unique color with a passionate, large-scale fandom behind it and you’re currently in the process of remaking that color. What do you worry about as a person in the center of such changes?
Max Changmin: Songs like ‘O-Jung.Ban.Hap’ in the past or last year’s ‘Why’ were ones that our fans liked more than the public. There’s always been a distance that’s stopped us from getting close to the public, so not only did we change our music, but we also appeared in variety programs to create more opportunities to interact with the public. If we get stuck in the mindset that ‘We’re this kind of group, so we should do this’, we’ll fall into mannerisms. We have to keep accepting the changes in the flow of music if we don’t want to be static.
– Could you say that your individual activities, including your role in the Japanese movie ‘Run With the Gold’, are a part of your efforts to appeal to the masses?
Max Changmin: I believe that Yunho and I have to shine brighter as individuals to create a synergy effect that pulls the team forward. And though we’re a group that’s known for our performances, it would be hard for us to keep performing at the intensity we pursue right now forever. As our bodies age, we’ll be less able to perform at that level. (laughter) I think a natural change will come about our activities as we go through that process.
– During your interview for ‘Run With the Gold’, you said, “I’ve done a lot of things as a member of the TVXQ team for the past eight years, but I learned so much by working with such great actors.” What was it like to go from working with TVXQ members you’ve done everything with for years, as well as familiar staff members, to working on something you’ve never done before with people who speak a different language?
Max Changmin:If I had known from the start how hard it was going to be, I probably wouldn’t have done it. (laughter) Because the filming schedule clashed with our live tour schedule, I had to go back and forth from the filming set to the concert venue and it was hard for me to accept the two worlds, that were completely different from each other, into my life. And because I was with actors and staff who were working so hard and giving their all for the movie, I was worried that even if I tried my best, the end result wouldn’t be as good as it should be. But I think what helped was my personality to never regress and nurture my promising skills whenever I start something.
– Looking back at your transformation from when you made your debut to where you are now, it feels like you enjoy the process of running headlong into things and progressing.
Max Changmin: What’s quite strange is that from the beginning, I’ve never had the dream of ‘I want to be a singer who sings this kind of music’ or ‘I want to be an actor who does that kind of acting’. Back when it hadn’t been long since my debut, everyone else had a dream so I used to believe that I was wrong for thinking that way. Even now, I don’t have an ultimate goal. But to use a common phrase to describe my personality, I really hate ‘feeling inferior’. (laughter) I find joy in the thought that today is always better than yesterday, and I want to keep moving forward.
– You’re only 24 but you’ve already accomplished so many things as a member of TVXQ, and you’re going to be the first Korean singer to hold a five-leg Dome tour in Japan. What lies ahead of you after this?
Max Changmin: I haven’t really thought about what I should do next. But I have a vague anticipation that when we finish our Dome tour, there will be a bigger stage waiting for us, and there will be a new world that we haven’t experienced yet. That anticipation of ‘There must be something more to come’ is what has kept me moving forward till now.
Source: [10asia]
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